Quotes from various satisfied Clients, Anwender- Kommentare
"From smooth, transparent limiting to aggressive, ballsy compression. Faster and more transparent than a Fairchild the, EAR660 is my favourite Compressor/Limiter."
"Tim has designed and built the best valve Compressor/Limiter on the market today"
-James Guthrie, Grammy winning Producer/Engineer
(Pink Floyd, Toto, Kate Bush)
"For more than twenty years in this business I've been looking for a
compressor/limiter that doesn't require any compromise or trade-off. I've finally found it. The most transparent piece of equipment I own."
-Joe Gastwirt - Mastering Engineer,
Owner - Ocean view Digital, Los Angeles
"At first you think - WOW!
Incredible! - Then you think - it's very subtle because not much changed -
Sounds so much better!
But then you listen without them and you know you've found pure magic in a box."
-Jim Keltner, Drummer
Seit der Entscheidung für die EAR 660 und 825Q habe ich rund 25 Alben darauf
gemastert und bin immer noch fasziniert, dass sie nicht nur einen Kübel esoterische Farbe
über die Musik gießen, sondern sehr exakte Werkzeuge darstellen, die dennoch eine
ausgesprochen musikalische Arbeitsweise ermöglichen.
Christoph Stickel (MSM Mastering Studio München)
"The best vocal compressor I've ever used, oh and the best overall mix compressor, and the best
bass compressor, in fact simply the best compressor made"
Twice Grammy nominated engineer, Pink Floyd
"In lengthy tests for leading industry clients, the EAR660 was compared with an original Fairchild 660, lined up to specification by our Head Technician, David Way. Five of the eight clients preferred the EAR, and three preferred the Fairchild, the difference in audio quality being almost indistinguishable. If anything, the EAR
had a firmer, more positive bottom end, but the overall sound on a variety of programme material (particularly vocals and guitars) was characteristic of the 'classic' tube warmth, and vocals in particular acquired a rich, full and smooth sound so hard to attain with mass produced compressors."
"The EAR660 has been indispensable to me as a producer/artist. It has enhanced all my recordings and is heavily
featured on the world-wide hit "A girl like you".
It's Mr. de Paravicini's attention to detail, hand wound transformers etc. that sets it apart from "pseudo classic" designs - there is no compromise"
Just a few more extremely satisfied users.
David Lord (Producer, Peter Gabriel, Icehouse, etc)
Mark Linnett (top USA Producer)
Britannia Row Productions (top European PA Co)
Antoine de Castellane (French Producer)
Olaf O.P.A.L. (German Producer)
Peter Krick (Sky Line Studios Düsseldorf)
Michael Gerlach (Amzonas Studios München)